Author: Homer Among the Moderns
Homer Among the Moderns
Copyright
Acknowledgements
Note to the Online Edition
Preface
Table of Contents
Introduction
Beatrice Bradley
1. Introduction
Jo Nixon
2. Chapter One First Impressions: the editio princeps of 1489
Nicholas Bellinson
3. Chapter Two Ogilby and the Odyssey
George D. Elliot
4. Chapter ThreeFancy That: An Essay on Hobbes' Homer
Blaze Marpet
5. Chapter FourLiterary London: Pope's Iliad and the Eighteenth-Century Book Trade
Margo Weitzman
6. Introduction
Goda Thangada
7. Chapter Five Constructions of Authorship in Valla's Iliad
8. Chapter SixThe Editorial and Ideological Project of Lodovico Dolce’s L’Achille et l’Enea
Elizabeth Tavella
9. Chapter SevenThe Thing's a Sling: Source Squabbles and Mistranslation in Chapman's 1611 Iliad
10. Chapter EightParatext as Metatext and Metafiction: Contextualizing Honest Satire in Thomas Bridges’ A Burlesque Translation of Homer
Angela Lei Parkinson
11. Introduction
Brendan Michael Small
12. Chapter Nine Illustrating the Classics and the Self: John Ogilby and his Self-Fashioning Portraits
Tali Winkler
13. Chapter Ten Expectation and Image(-ination): The Purpose and Reuse of Woodcuts in the Books of Gabriel Giolito de Ferrari
Hilary Barker
14. Chapter Eleven In Chapman’s Forge: Mistranslation as Ekphrastic Resistance
Javier Ibáñez
15. Chapter Twelve Henri Estienne’s Concepts of History and Poetry
16. Introduction
17. Chapter Thirteen Homer, Venice, and Byzantium: Aldus Manutius’ First Edition of the Iliad
Felix Szabo
18. Chapter Fourteen Alfonso, Valla, & Homer: Poetry and Politics in Renaissance Naples
Camille Reynolds
19. Chapter Fifteen The Language Question: Cultural Politics of the Medici Dynasty
20. Chapter Sixteen Translating Homer in the French Renaissance: The 1584 French Verse Translation of the Iliad
Ji Gao
21. Chapter Seventeen “Too Much of a Modern Beau”: Macpherson’s Iliad and the Nationalist Epic
Noor Shawaf
Conclusion
Appendix Catalogue Descriptions
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